Deadlines and Routines
PROGRAM ALERT: The new August episode of Career Changers TV premieres Thurs., 7:30 PM on channel 12/high def 1012, and will feature the Pacific Aviation Museum -- plus a profile of Burl Burlingame, the former newspaper writer, who is also a book author, musician and now works as curator at the museum. There's also a preview of their upcoming Biggest Little Airshow on Aug. 16 and 17 at Ford Island! For daily viewing times, please visit www.CareerChangers.TV.
In my last blog post, I mentioned I'm a finalist in a national screenwriting competition that required the top 10 entries to complete a new script in about two months. Screenplays for feature movies average around 100 to 120 pages with each page representing about one minute of screen time. So cranking out 10-15 pages per week is pretty doable for most writers. The challenge though is writing good pages that will survive the inevitable edits, cuts, and rewriting that comes with producing a workable script. If you're writing a novel, you can wax poetic, spend time inside your characters' heads, describe locations in detail right down to the blades of grass or hue of the sky. Not so in screenplays, which have to move fast since Hollywood readers often make up their minds on whether they will read the script after just one or two pages. By page 10, many have already decided if it's a "pass" or "consider."
So I was churning out pages the first month, and thought they were pretty good. Except my story coach would pick apart scenes and prod me to develop the characters more in each of our weekly phone sessions, which is what makes this contest a unique experience for aspiring screenwriters. Script consultants like the one I'm working with charge as much as $75 per hour for their feedback (my sessions are free, courtesy of the contest); notes can range from a couple hundred bucks to a thousand or more. There are so many wannabe screenwriters/directors/filmmakers that a cottage industry has developed in L.A. to tap into that market, which generates 30,000 to 40,000 new scripts that are registered with the Writers Guild each year. Of those, less than five percent will even have a remote chance of being seriously looked at by industry players.
And this contest is one way to get to the top of the wannabes heap... if I win, that is. The problem is I was making up much of my new screenplay as I was going along, while dealing with the demands of producing my TV show and other video projects -- all on deadlines too. Then, after taking in what the story coach criticized or suggested, I'd go back and make changes that improved the script but put me behind schedule. My normal routines were thrown out of whack -- which can be a good thing. Sometimes we get stuck in ruts and do only as much as we're used to doing out of habit. We forget how much we're actually capable of accomplishing, unless we're pressed by outside forces.
With just one week left to turn in the first draft, I was at page 55 -- mid-point -- and had to write another 50 pages in seven days. To begin with, I'm not a fast writer by nature. Some of my prior scripts have taken years to complete or even start because I'd be carrying around ideas for a long time before the story kicked in. Also, I tend to procrastinate unless I'm faced with a deadline... which might be related to my early writing career as a news reporter back in New Jersey. Somewhere along the way, I got into a mindset that my normal routine was to do "x" amount of work per day to be finished on "y" to meet deadline "z" -- it's how I chunk out tasks and allot time to multiple projects I'm usually juggling.
But even for me, the prospect of crafting 50 plus script pages -- actually twice that since I know I'll delete half of what I write -- was daunting. Yet exciting too. Some days I woke at 4 AM to start work. My mind would keep writing even when I stopped to eat or watch TV before going to bed. I wasn't sure what direction the story was going in toward the end, and when I was stuck, my subconscious sometimes provided answers through the characters I had created. Somehow, I got the draft done and submitted it with a couple of hours to spare.
However, that was just the first deadline. A week later, I got back detailed notes from another reader/story analyst as part of the contest steps, and now have until Aug. 16 to turn in the final draft that will be possibly read by an A-list screenwriter and top management company in L.A. The notes were spot on and pinpointed story problems that were largely a result of making stuff up on the fly in the mad dash to the finish line for the first draft.
It's amazing how much we can do when we force ourselves to buckle down and deliver the best work we can do on a shorter timetable. Some people thrive on that kind of pressure. Others can't handle the stress of performing on demand. What's funny is when my wife and I are watching reality shows like Project Runway or Top Chef, there are always one or two competitors who seem so fragile and unable to cope with the time constraints, you wonder why they even wanted to be on the show in the first place! It's like that old saying, if you can't stand the heat, stay out of the kitchen -- but if you enjoy competing, seek out opportunities that will bring out the best in yourself.